To Be or Not to Be: Perfecting Your Message
Do you recognise the following lines of poetry?
To be or not to be, aye, there’s the point
To die, to, to sleep; is that all? Aye, all.
No, to sleep, to dream, aye marry, there it goes,
For in that dream of death, when we awake,
And borne before an everlasting judge,
From whence no passenger ever returned,
The undiscovered country, at whose sight
The happy smile, and the accursed damned…
Do any of the phrases sound familiar? Probably. Is this memorable writing? Probably not!
Yet, what you have just read is version one of a speech which some english professors call the greatest speech ever written in a play.
Now read the final version:
To be, or not be: that is the question:
Whether ’tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them? To die: to sleep;
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to, ’tis a consummation
Devoutly to be wish’d.
This is the speech immortalised by Shakespeare’s Hamlet. By contrast, the first version you read comes from an earlier version of the play known as the First Quarto, sometimes called ‘the bad quarto’.
Shakespeare knew that perfection takes time. Perfection comes from relentless attention to detail. If your first draft of any persuasive message doesn’t flow or ring true, or lacks punch: keep revising until the message sings.
The effort will be worth it.
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